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People - Ancient Greece: Harmodius and Aristogeiton
They became preeminent symbol of democracy to ancient Athenians, after killing the tyrant Hipparchus.

Harmodius and Aristogeiton in Wikipedia Harmodius (Ἁρμόδιος / Harmódios) and Aristogeiton (Ἀριστογείτων / Aristogeítôn), both d. 514 BC in ancient Athens. They became known as the Tyrannicides (τυραννοκτόνοι) after they killed the Peisistratid tyrant Hipparchus, and were the preeminent symbol of democracy to ancient Athenians. Background The principal historical sources covering the two are Thucydides in his History of the Peloponnesian War (VI, 56-59) and The Constitution of the Athenians (XVIII) attributed to Aristotle or his school, but their story is documented by a great many other ancient writers. Peisistratus seized power in 561 BC and established a dictatorial regime. Peisistratus is usually called a tyrant, but the Greek word tyrannos does not mean a cruel and despotic ruler, merely one who took power by force. Peisistratus was in fact a very popular ruler, who made Athens wealthy and powerful, although the old aristocratic families he had driven from power hated him. When Peisistratus died in 528/527 BC, his son Hippias, with the help of his younger brother Hipparchus, retained power. The two continued their father's policies, but their popularity declined after Hipparchus began to abuse the power of his position. Hipparchus invited Harmodius' young sister to be the kanephoros (to carry the ceremonial offering basket) at the Panathenaea festival, and then publicly chasing her away on the pretext she was not a virgin, as required. This was an offense of such magnitude to Harmodius' family that he, together with Aristogeiton who was already fired by feelings of jealousy due to Hipparchus having made unrequited sexual advances toward Harmodius (possibly the motivation for Hipparchus's humiliation of Harmodius's sister), resolved to assassinate both Hippias and Hipparchus and thus to overthrow the tyranny.[1] According to Aristotle, it was Thessalos, the hot-headed son of Peisistratus´ Argive concubine and thus half-brother to Hipparchus, who was the one to court Harmodius and drive off his sister.[2] The assassination The plot – to be carried out by means of daggers hidden in the ceremonial myrtle wreaths on the occasion of the Panathenaic Games – involved a number of other co-conspirators. Thucydides claims that "this was the only day on which it was possible for the citizens who formed the parade to assemble armed without arousing suspicion."[3] Aristotle disagrees, asserting that the custom of bearing weapons was introduced later, by the democracy.[4] Seeing one of these greet Hippias in a friendly manner on the assigned day, the two thought themselves betrayed and rushed into action, ruining the carefully laid plans. They managed to kill Hipparchus, stabbing him to death as he was organizing the Panathenaean processions at the foot of the Acropolis. Herodotus expresses surprise at this event, asserting that Hipparchus had received a clear warning concerning his fate in a dream.[5] Harmodius was killed on the spot by spearmen of Hipparchus´ guards, while Aristogeiton was arrested shortly thereafter. Upon being told of the event, Hippias, feigning calm, ordered the marching Greeks to lay down their ceremonial weapons and to gather at an indicated spot. All those with concealed weapons or under suspicion were arrested, gaining Hippias a respite from the uprising. Thucydides' identification of Hippias as the two's purported main target, rather than Hipparchus who was Aristogiton's rival erastes, has been suggested as a possible indication of bias on his part.[6] Aristogeiton's torture Aristotle in the Constitution of Athens preserves a tradition that Aristogeiton died only after being tortured in the hope that he would reveal the names of the other conspirators. During his ordeal, personally overseen by Hippias, he feigned willingness to betray his co-conspirators, claiming only Hippias' handshake as guarantee of safety. Upon receiving the tyrant's hand he is reputed to have berated him for shaking the hand of his own brother's murderer, upon which the tyrant wheeled and struck him down on the spot.[7] Leæna Likewise, there is a tradition that Aristogeiton (or Harmodius)[8] was in love with a courtesan (see hetaira) by the name of Leæna (lioness) who also was kept by Hippias under torture – in a vain attempt to force her to divulge the names of the other conspirators – until she died. One version holds that previous to being tortured she had bitten off her tongue, afraid that her resolve would break from the pain of the torture. Another is that the Athenians placed a statue of a lioness without a tongue in the vestibule of the citadel simply to honor her fortitude in maintaining silence.[9][10][11] It was also in her honor that Athenian statues of Aphrodite were from then on accompanied by stone lionesses [after Pausanias].[12] Aftermath His brother's murder led Hippias to establish an even stricter dictatorship, which proved very unpopular and was overthrown, with the help of an army from Sparta, in 510. This was followed by the reforms of Cleisthenes, who established a democracy in Athens. Apotheosis Subsequent history came to identify the figures of Harmodius and Aristogeiton as martyrs to the cause of Athenian freedom, possibly for political and class reasons, and they became known as "the Liberators" (eleutherioi) and "the Tyrannicides" (tyrannophonoi). According to later writers, descendants of Harmodius and Aristogeiton's families were given hereditary privileges, such as sitesis (the right to take meals at public expense in the town hall), ateleia (exemption from certain religious duties), and proedria (front-row seats in the theater).[13] A number of years after the event, it had become a received tradition among the Athenians to believe that Hipparchus was the elder of the brothers, and to fashion him as the tyrant.[14] Statues and artistic depictions After the establishment of democracy, Cleisthenes commissioned the sculptor Antenor to produce a bronze statue group of Harmodius and Aristogeiton. It was the first commission of its kind, and the very first statue to be paid for out of public funds, as the two were the first Greeks considered by their countrymen worthy of having statues raised to them.[15] According to Pliny the Elder, it was erected in the Kerameikos in 509,[16] as part of a cenotaph of the heroes. Annual offerings (enagismata) were presented there by the polemarch, the Athenian minister of war.[17] There it stood alone as special laws prohibited the erection of any other statues in their vicinity. Upon its base was inscribed a verse by the poet Simonides: "A marvelous great light shone upon Athens when Aristogeiton and Harmodios slew Hipparchus."[18] The statue was taken as war booty in 480 BC by Xerxes I during the early Greco-Persian Wars and installed by him at Susa. As soon as the Greeks vanquished the Persians at Salamis, a new statue was commissioned. It was sculpted this time by Kritios and Nesiotes, and set up in 477/476 BC.[19] It is the one which served as template for the group we possess today, which was found in the ruins of Hadrian's villa and is now in Naples. According to Arrian,[20] when Alexander the Great conquered the Persian empire, in 330, he discovered the statue at Susa and had it shipped back to Athens.[21] When the statue, on its journey back, arrived at Rhodos it was given divine honors.[22] Several comments of the ancients regarding the statue have come down to us. When asked, in the presence of Dionysius, the tyrant of Syracuse, which type of bronze was the best, Antiphon the Sophist replied, "That of which the Athenians made the statues of Harmodius and Aristogeiton."[23] Lycurgus, in his oration against Leocrates, asserts that, "In the rest of Greece you will find statues erected in the public places to the conquerors in the games, but amongst you they are dedicated only to good generals, and to those who have destroyed tyrants.[24] Other sculptors made statues of the heroes, such as Praxiteles, who made two, also of bronze.[25] The statue group has been seen, in modern times, as an invitation to identify erotically and politically with the figures, and to become oneself a tyrannicide. According to Andrew Stuart, the statue "not only placed the homoerotic bond at the core of Athenian political freedom, but asserted that it and the manly virtues (aretai) of courage, boldness and self-sacrifice that it generated were the only guarantors of that freedom’s continued existence."[26] The configuration of the group is duplicated on a painted vase, a Panathenaic amphora from 400,[27] and on a base-relief on the Elgin throne, dated to ca. 300.[28] Skolia Another tribute to the two heroes was a hymn (skolion) praising them for restoring isonomia (equal distribution of justice) to the Athenians. It was written about one hundred years after the event.[29] by Callistratus, an Athenian poet known only for this work, and preserved by Athenaeus.[30] Its popularity was such that "at every banquet, nay, in the streets and in the meanest assembly of the common people, that convivial ode was daily sung",[31] When sung, the singer would hold a branch of myrtle in his hand.[32] This ode has been translated by many modern poets such as Edgar Allan Poe, who composed his Hymn to Aristogeiton and Harmodius in 1827.[33] The following translation was judged to be the best and most faithful of a number of versions attempted in Victorian England.[34] In myrtles veil'd will I the falchion wear, For thus the patriot sword Harmodius and Aristogiton bare, When they the tyrant's bosom gored, And bade the men of Athens be Regenerate in equality. Oh! beloved Harmodius! never Shall death be thine, who liv'st for ever. Thy shade, as men have told, inherits The islands of the blessed spirits, Where deathless live the glorious dead, Achilles fleet of foot, and Diomed. In myrtles veil'd will I the falchion wear, For thus the patriot sword Harmodius and Aristogiton bare, When they the tyrant's bosom gored; When in Minerva's festal rite They closed Hipparchus' eyes in night. Harmodius' praise, Aristogiton's name, Shall bloom on earth with undecaying fame; Who with the myrtle-wreathed sword The tyrant's bosom gored, And bade the men of Athens be Regenerate in equality.[35] Other skolia existed, of which a few have survived, such as the following: Harmodius, most beloved. Surely you are not at all dead, But on the Isles of the Blessed you abide, they say, The same place where swift-footed Achilles is, Where roams worthy Diomedes, son of Tydeus, they say.[36]

Harmodius in Harpers Dictionary of Classical Antiquities (Ἁρμόδιος). An Athenian who, together with Aristogīton (Ἀριστογείτων), became the cause of the overthrow of the Pisistratidae. The names of Harmodius and Aristogiton were immortalized by the gratitude of the Athenians. Aristogiton was a citizen of the middle class; Harmodius a youth distinguished by the comeliness of his person. They were both perhaps remotely allied to one another by blood, and were united by ties of the closest intimacy. The youth had received an outrage from Hipparchus, which roused both the resentment and the fears of his friend, lest Hipparchus should abuse his power to repeat the insult. But Hipparchus, whose pride had been wounded by the conduct of Harmodius, contented himself with an affront aimed at the honour of his family. By his orders, the sister of Harmodius was invited to take part in a procession, as bearer of one of the sacred vessels. When, however, she presented herself in her festal dress, she was publicly rejected, and dismissed as unworthy of the honour. This insult stung Harmodius to the quick, and kindled the indignation of Aristogiton. They resolved to engage in the desperate enterprise of overthrowing the ruling dynasty. They communicated their plan to a few friends, who promised their assistance; but they hoped that, as soon as the first blow should be struck, they would be joined by numbers, who would joyfully seize the opportunity of recovering their freedom. The conspirators fixed on the festival of the Panathenaea as the most convenient season for effecting their purpose. This festival was celebrated with a procession, in which the citizens marched armed with spears and shields, and was the only occasion on which, in time of peace, they could assemble under arms without exciting suspicion. It was agreed that Harmodius and Aristogiton should give the signal by stabbing Hippias, while their friends kept off his guards, and that they should trust to the general disposition in favour of liberty for the further success of their undertaking. When the day came, the conspirators armed themselves with daggers, Harmodius and Aristogiton. (Copies in the Naples Museum.) which they concealed in the myrtle-boughs that were carried on this occasion. But while Hippias, surrounded by his guards, was in the Ceramicus, directing the order of the procession, one of the conspirators was observed to go up to him, for he was easy of access to all, and to enter into familiar conversation with him. The two friends, on seeing this, concluded that they were betrayed, and that they had no hope left but of revenge. They instantly rushed into the city, and, meeting Hipparchus, killed him before his guards could come up to his assistance. These, however, arrived in time to avenge his death on Harmodius. Aristogiton escaped for the moment through the crowd, but was afterwards taken. When the news was brought to Hippias, instead of proceeding to the scene of his brother's murder, he advanced with a composed countenance towards the armed procession, which was yet ignorant of the event, and, as if he had some grave discourse to address to them, desired them to lay aside their weapons, and meet him at an appointed place. He then ordered his guards to seize the arms, and to search every one for those which he might have concealed upon his person. All who were found with daggers were arrested, together with those whom, on any other grounds, he suspected of disaffection. Aristogiton was put to death, according to some authors, after torture had been applied to wring from him the names of his accomplices. It is said that he avenged himself by accusing the truest friends of Hippias. The mistress of Aristogiton, one Leaena (q.v.), whose only crime was to have been the object of his affection, underwent the like treatment. She was afterwards celebrated for the constancy with which she endured the most cruel torments (Herod.v. 55; vii. 123; Thuc.i. 20; vi. 54 foll.). These events took place in B.C. 514. After the expulsion of Hippias the tyrannicides received almost heroic honours. Statues were erected to them at the public expense, and their names never ceased to be repeated with affectionate admiration in the popular songs of Athens, which assigned them a place in the Islands of the Blessed, by the side of Achilles and Tydides; and when an orator wished to suggest the idea of the highest merit and of the noblest services to the cause of liberty, he never failed to remind his hearers of Harmodius and Aristogiton. No slave was ever called by their names. Plutarch has preserved a reply of Antipho , the orator, to Dionysius the elder, of Syracuse. The latter had asked the question, which was the finest kind of bronze? "That," replied Antipho , "of which the statues of Harmodius and Aristogiton were made." He lost his life in consequence. Their statues, made by Antenor and set up in the Agora, were carried away by Xerxes when he took Athens in B.C. 480, but were restored by Alexander the Great.

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