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April 27    Scripture

Mythology & Beliefs: Daphne
In Greek and Roman Mythology, Daphne was a nymph; pursued by Apollo; changed to laurel tree.

Daphne in Greek and Roman Biography and Mythology (Δάφνη), a fair maiden who is mixed up with various traditions about Apollo. According to Pausanias (10.5.3) she was an Oreas and an ancient priestess of the Delphic oracle to which she had been appointed by Ge. Diodorus (4.66) describes her as the daughter of Teiresias, who is better known by the name of Manto. She was made prisoner in the war of the Epigoni and given as a present to Apollo. A third Daphne is called a daughter of the rivergod Ladon in Arcadia by Ge (Paus. 8.20.1; Tzetz. ad Lycoph. 6; Philostr. Vit. Apollon. 1.16), or of the river-god Peneius in Thessaly (Ov. Met. 1.452; Hyg. Fab. 203), or lastly of Amyclas. (Parthen. Erot. 15.) She was extremely beautiful and was loved and pursued by Apollo. When on the point of being overtaken by him, she prayed to her mother, Ge, who opened the earth and received her, and in order to console Apollo she created the ever-green laurel-tree (δάφνη), of the boughs of which Apollo made himself a wreath. Another story relates that Leucippus, the son of OenomaŘs, king of Pisa, was in love with Daphne and approached her in the disguise of a maiden and thus hunted with her. But Apollo's jealousy caused his discovery during the bath, and he was killed by the nymphs. (Paus. 8.20.2; Parthen. l.c.) According to Ovid (Ov. Met. 1.452, &c.) Daphne in her flight from Apollo was metamorphosed herself into a laurel-tree. - A Dictionary of Greek and Roman biography and mythology, William Smith, Ed.
http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3atext%3a1999.04.0104


Daphne in Wikipedia According to Greek myth, Apollo chased the nymph Daphne (Greek: Δάφνη, meaning "laurel"), daughter either of Peneus and Creusa in Thessaly,[1] or of the river Ladon in Arcadia.[2] The pursuit of a local nymph by an Olympian god, part of the archaic adjustment of religious cult in Greece, was given an arch anecdotal turn in Ovid's Metamorphoses,[3] where the god's infatuation was caused by an arrow from Eros, who wanted to make Apollo pay for making fun of his archery skills and to demonstrate the power of love's arrow. Ovid treats the encounter, Apollo's lapse of majesty, in the mode of elegiac lovers,[4] and expands the pursuit into a series of speeches. According to the rendering Daphne prays for help either to the river god Peneus or to Gaia, and is transformed into a laurel (Laurus nobilis): "a heavy numbness seized her limbs, thin bark closed over her breast, her hair turned into leaves, her arms into branches, her feet so swift a moment ago stuck fast in slow-growing roots, her face was lost in the canopy. Only her shining beauty was left."[5] "Why should she wish to escape? Because she is Artemis Daphnaia, the god's sister," observed the Freudian anthropologist GÚza Rˇheim,[6] and Joseph Fontenrose concurs;[7] baldly stating such a one-to-one identity doubtless oversimplifies the picture: "the equation of Artemis and Daphne in the transformation myth itself clearly cannot work", observes Lightfoot.[8] The laurel became sacred to Apollo, and crowned the victors at the Pythian Games.[9] Most artistic impressions of the myth focus on the moment of transformation...
http://en.wikipedia.org/wiki/Daphne


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